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	<title>Comments on: Improvisation in the Arabic Musical Tradition, Some Thoughts (part 1)</title>
	<atom:link href="http://saedmuhssin.com/blog/archives/5/feed" rel="self" type="application/rss+xml" />
	<link>http://saedmuhssin.com/blog/archives/5</link>
	<description>musings on music, literature, life and other problems</description>
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	<item>
		<title>By: admin</title>
		<link>http://saedmuhssin.com/blog/archives/5/comment-page-1#comment-3</link>
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Wed, 23 Jan 2008 17:10:07 +0000</pubDate>
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		<description><![CDATA[Dear Farah,
I don&#039;t know if there are any writings on the subject.
Saed.]]></description>
		<content:encoded><![CDATA[<p>Dear Farah,<br />
I don&#8217;t know if there are any writings on the subject.<br />
Saed.</p>
]]></content:encoded>
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	<item>
		<title>By: Farah Jubran</title>
		<link>http://saedmuhssin.com/blog/archives/5/comment-page-1#comment-2</link>
		<dc:creator><![CDATA[Farah Jubran]]></dc:creator>
		<pubDate>Wed, 23 Jan 2008 09:47:35 +0000</pubDate>
		<guid isPermaLink="false">http://saedmuhssin.com/blog/archives/5#comment-2</guid>
		<description><![CDATA[Dear Saed,

Since arabic music is mostly sinnging music and acompenement music, I have the feeling that Arabic language (Quran, poetry in all its form and pronounciation dictions) are the most shaping factors for the forms of Arabic music and improvisation.

anybody wrote about this subject?

Thank you for the beatiful blog and discusion group

Farah]]></description>
		<content:encoded><![CDATA[<p>Dear Saed,</p>
<p>Since arabic music is mostly sinnging music and acompenement music, I have the feeling that Arabic language (Quran, poetry in all its form and pronounciation dictions) are the most shaping factors for the forms of Arabic music and improvisation.</p>
<p>anybody wrote about this subject?</p>
<p>Thank you for the beatiful blog and discusion group</p>
<p>Farah</p>
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