Comments for musifying http://saedmuhssin.com/blog A blog by Saed Muhssin Sat, 10 May 2008 22:18:27 +0000 http://wordpress.org/?v=2.5 Comment on Classical Arabic Oud Player’s Repertoire (part 1) by Saed http://saedmuhssin.com/blog/archives/35#comment-5 Saed Fri, 08 Feb 2008 21:54:25 +0000 http://saedmuhssin.com/blog/archives/35#comment-5 Nemo, Thank you for the suggestion. Yes, you are right. I have omitted a few including Dawood Hussni, M. Sabri Al-Nijridi, and Abu-ElIla Mohammad, mainly for difficulty of obtaining recordings. My suggested listening list for Umm Kulthoum songs by Daoud Housni (another common spelling) would include: - Sharraf Habib El-Qalb - El-Bou'd Allimni - Gannit Na'imi Nemo,
Thank you for the suggestion.

Yes, you are right. I have omitted a few including Dawood Hussni, M. Sabri Al-Nijridi, and Abu-ElIla Mohammad, mainly for difficulty of obtaining recordings.

My suggested listening list for Umm Kulthoum songs by Daoud Housni (another common spelling) would include:
- Sharraf Habib El-Qalb
- El-Bou’d Allimni
- Gannit Na’imi

]]> Comment on Classical Arabic Oud Player’s Repertoire (part 1) by nemo http://saedmuhssin.com/blog/archives/35#comment-4 nemo Fri, 08 Feb 2008 19:52:41 +0000 http://saedmuhssin.com/blog/archives/35#comment-4 Suggestion: oud player & composer Dawood Hussnei Suggestion: oud player & composer Dawood Hussnei

]]> Comment on Improvisation in the Arabic Musical Tradition, Some Thoughts (part 1) by admin http://saedmuhssin.com/blog/archives/5#comment-3 admin Wed, 23 Jan 2008 17:10:07 +0000 http://saedmuhssin.com/blog/archives/5#comment-3 Dear Farah, I don't know if there are any writings on the subject. Saed. Dear Farah,
I don’t know if there are any writings on the subject.
Saed.

]]> Comment on Improvisation in the Arabic Musical Tradition, Some Thoughts (part 1) by Farah Jubran http://saedmuhssin.com/blog/archives/5#comment-2 Farah Jubran Wed, 23 Jan 2008 09:47:35 +0000 http://saedmuhssin.com/blog/archives/5#comment-2 Dear Saed, Since arabic music is mostly sinnging music and acompenement music, I have the feeling that Arabic language (Quran, poetry in all its form and pronounciation dictions) are the most shaping factors for the forms of Arabic music and improvisation. anybody wrote about this subject? Thank you for the beatiful blog and discusion group Farah Dear Saed,

Since arabic music is mostly sinnging music and acompenement music, I have the feeling that Arabic language (Quran, poetry in all its form and pronounciation dictions) are the most shaping factors for the forms of Arabic music and improvisation.

anybody wrote about this subject?

Thank you for the beatiful blog and discusion group

Farah

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